Four Kinds of Meaning by I.A Richards
Four Kinds of Meaning
I.A. Richards
Richards – 20th century New Critic
In his Principles of Literary Criticism, Richards gave criticism a
scientific precision and objectivity contradictory to a chaos of
critical theories. Differentiated-referential & emotive language. Communication –emotive (function of the author). Comprehension-referential-(function of the reader).
Practical Criticism-Four Kinds of
Meaning
Difficulties of documentation-labyrinth. Analysis of anonymous poems-hundred verdicts from a
hundred readers. Difficulties-interdependent on each other like a cluster
of monkeys. The original difficulty of reading-the problem of making
out the meaning. For a Proper understanding of a poem, the following
questions have to be answered:
πππWhat is a meaning?
πππWhat are we doing when we endeavor to make out?
πππWhat is it we are making out?
For the study of Literature, there are several kinds of meanings. Combination of different contributory meanings-total meaning. Language performs several functions - difference to be noted. Richards divides language functions into four types - Four types
of meaning, Four different points of views of an articulate speech are:
✋Sense
✋Feeling
✋Tone
✋Intention
✋Sense
Plain literal meaning from the point of view of the
speaker, listener
Speaker wants attention of the listeners to something
(e.g. Meaning of a poem or a word)
Speaker wants to give some thoughts to the listeners
(Sense -idea conceived from speaker)
✋Feeling
Refers to emotions, emotional attitudes, will, desire,
pleasure, displeasure and so on.
When we say something, we have feeling about it, “an
attitude towards it; some special direction, bias or
accentuation of interest in it, some personal flavour or
colouring.” We use words to express these feelings and
these nuance of interest. (it may happen consciously or
unconsciously) –(eg. anger, excitement, sympathy etc.,)
exceptional cases-Mathematics- no feelings.
✋Tone
Basically the speaker has an attitude to his listener.
Choice and arrangement of the words according to the
kind of audience.
Tone of utterance adopted according to the relationship
of the listener-exceptional-pretentious tone gets exposed
at times.
(e.g.- hypocritical speech or egoistical speech)
✋Intention
Sense-what one says, Feeling-what one talks about—
Tone -one’s attitude to the listener. Intention-conscious or unconscious. He speaks for a purpose-purpose modifies his speech. To understand the meaning-understand the intention
also. His success can be measured if only we understand his
intentions (e.g. Sales promotion)
1. intention will be to express the thoughts of the author
(facts)
2. express his feeling about what he is thinking (eg. Hurrah!
Damn!)
3.To express his attitude to the listener ( feeling of love or
hatred)
The author’s intention has influence upon the language he
uses. Richards’ observation- analysis of poems-failure of one or
other function.
Application of Functions
Failure of all the four-Reader garbles sense, distorts the
feelings, mistakes the tone, disregards the intention.
Partial collapse-failure of one function will imply
mistake in the others.
In the uses of language-one or the other functions may
become predominant.
Application of functions in scientific
document
Scientific document:
1. Sense – important
2. Feelings-subordinated
3. Tone -suit the academic
convention
4. Intention- bring sense- clear and adequate statement
Popular science book:
1. Sense- sacrifice precision and adequate statement for general intelligibility
2. Feelings- display of feelings to evoke readers interest
3. Tone-Variety in tone-jokes and illustrations, persuasion admissible
4. Intention-relationship between the subject and his lay audience-difficult task
Shift of functions
Political Speeches
Intention becomes the
main function
Feelings and Tones are the
two tools used
Sense gets the least importance
Facts get the least priority in political speeches losing sincerity
If tone and feeling is proper the effect is good in political speeches
Conversations/Social Language
Intention dominate
others
Feelings and Tone
express themselves through
Sense (eg. Language used
by the diplomatic attitude
– making English polite
using modal verbs )
Social Language – (eg.
Thank you so much,
Pleased to meet you)
Language functions in Poetry
Feeling and Tone become dominant and reject sense in
such ways:
1. Feeling & Tone dominate the statement just for the sake
of their impact upon feelings and not for their own sake
2. If the ‘truth value’ of the statements are challenged and
the seriousness of the statements are questioned, it is equal
to mistaking their function.
Statements in poetry-manipulation, expression of feelings
and attitudes-do not contribute to any doctrine or
knowledge
Narrative poetry-no danger in mistaking statements for facts
Philosophical or meditative poetry-confusion:
1. take statements in poetry seriously and find silly (eg.) “My
soul is a ship in full sail” –profitless- it appears absurd, but
common
2. Many of them swallow the statement, “Beauty is truth,
truth beauty” as the essential aesthetic philosophy
According to Richards it is the expression of certain feelings.
If taken seriously-lead to confusion.
Poets suppress Sense in may ways to express feeling or
adjust tone.
Distort statements-nothing to do with the subject-logically
irrelevant, trivial or silly-justify, if they succeed in their
other aim.
Conclusion
Richards says criticism is an art
Statements are disguised forms-indirect expressions of
Feeling, Tone and Intention
Dr. Bradley remarks: Poetry is not concrete
One cannot get the clear statement of what is read not
merely having the sense, but the different type of
understanding. If we understand that a poem is a blend of
tone, intention, feeling and sense, we will misunderstand
it.
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